Mari Wells presents: WhereWolves Part 3

The last segment of our spotlight as part of Mari Wells’s WEREWOLF MONTH.

Please click on the following link to read the final interview.

Mari Wells presents: WhereWolves Part 2

John Vamvas and Olga Montes interview.

Mari Wells presents: WhereWolves Part 1

The writing team at Wherewolves The Blog have a great werewolf novel we want to let you know about.

5.0 out of 5 stars Very Exciting

By Carole A. Spalino I have to give this five stars because it was really good and it held my interest. It was actually a little unclear as to what the attackers were, what they looked like, and how they came about, but that just added to the intrigue. The story holds lots of excitement and action, and plenty of discord among the characters. Well worth your time, so don’t pass it up.

5 out of 5 stars WAS WOWED!

5.0 out of 5 stars Was wowed
By Tonya Mason

Five-star. A very real very heart stopping book. Just WoW. I can’t wait to read more. Action, secrets, friendship and enemies. What a great story!”

5.0 out of 5 stars A wonderful find!

This ain’t your grampa’s werewolf story! I loved the tension and the “who survives” questions. I don’t want to give anything away but there are plenty surprises throughout. I downloaded the ‘sample’ at first. As I have been telling people, this book had me at ‘touchdown.’ Read it and find out what I mean. This was a surprise find and completely un-put-downable. It’s been awhile since I’ve read something quite this captivating. The authors have told me there’s more coming in this series and I simply can’t wait! Buy this book and get ready to spend some quality time with…something rustling in the woods! It’s watching you, licking its lips and…!

Werewolves, Bullying & Vera Farmiga – Huffington Post!

by Scott Alexander Hess – HUFF POST BOOKS

At one point I was obsessed with werewolves.

They seemed more reckless and masculine than vampires, the way they burst out of their clothing, muscles bulging (well some of them) running through the countryside facing a bone-white moon. It all thrilled me.

Ultimately I channeled that beastly, hyper-masculinity and lyrical violence into my latest novel Three Brothers but I still love a good wolf flick, including MTV’s testosterone-soakedTeen Wolf (my boyfriend’s fave).

Most recently, I tumbled across a book trailer for the novel WHEREWOLVES, by John Vamvas and Olga Montes which combines the legendary creature with a high school bullying theme. I caught up with the authors just in time for Halloween and chatted about the book, the subsequent screenplay and their dream cast for a potential film.

The book’s basic set up according to the writing team is: A group of high school seniors and their teacher, The Sarge, go on a survival training weekend and must face their biggest enemy: Themselves. A fresh take on bullying told using a fun, rapid-fire style — with edgy, layered characters and plot twists that will keep you guessing.

Scott Alexander Hess: What attracted you to the werewolf genre?

John Vamvas and Olga Montes: As lifelong horror film fans, we thought our story would best be told through the horror genre. Just like with rollercoasters, horror is popular because of the thrill-the adrenalin rush-you get from being scared. We thought our story would be more interesting were it devilishly fun. We weren’t initially planning on werewolves — they somehow just manifested. Our characters are raw, their emotions visceral, the plot and situations guttural-animalistic. Werewolves can at once be horrifying and beautiful — they’re an incarnation of primal rage, strength and beauty. The beasts presented themselves as we developed the story.

Scott Alexander Hess: What is the best werewolf book and film out there (other than yours!)?

John Vamvas and Olga Montes: We haven’t read enough werewolf novels to fairly pick one. But we are horror film buffs. Favorite werewolf movie: Though extremely difficult to choose,we’ll go with John Landis’s An American Werewolf in London. There are a lot of great werewolf films, though, (including The Wolf Man (1941 version), Silver Bullet andDog Soldiers) and we pay homage to many of them throughout the story.

Scott Alexander Hess: What inspired you to work in the bullying aspect and how does cruelty, pleasure and pain work within the narrative?

John Vamvas and Olga Montes: Apparent bullying that lead to the Columbine High School massacre, the Chardon High School massacre and other such atrocities has really marked us –especially now that we have children. We wanted to make a statement and tell a story without giving opinions, only observations. We want the reader to be left with something to think about. We present the reader with parents who serve their country, but at great cost to their children. Teachers who mean well but are riddled with their own monsters. Political events that have skewed our views of the world. Peer pressure, greed, insecurity, desensitization, it goes on. The cruelty in the story is motivated by emotional pain. One character deals with her inner turmoil by taking pleasure in inflicting physical pain upon herself — cutting. Other characters verbally abuse. Some are physically abusive and others think the cruelty is funny; unwittingly adding to the horror. Despite their lack of likability, we hope our characters’ humanity shines through, thus distorting the reader’s concept of good and bad, black and white, right and wrong. Because, what is a monster? Something that grows hair all over and howls? Could be. But the real monster is within, and when it comes out, it’s as ugly as you see it, or as it lets you see it.

Scott Alexander Hess: What’s up with the screenplay and any dream casting ideas yet?

John Vamvas and Olga Montes: WHEREWOLVES had been optioned by a production company in 2010. Though there were a lot of great people involved (including an Academy Award nominated special effects makeup artist), things fell apart in late 2011. The script is now being shopped by our U.S. literary agent, Whitt Brantley, at WBMT, Literary, Film and Television Agency. Our dream cast would include Kiefer Sutherland or Norman Reedus as Sargent Tim O’Sullivan. Taissa Farmiga as the angst-ridden teen, Doris. Vera Farmiga as her mother. And Josh Hutcherson as the tormented Jeffrey.


5★s Modern Horror with Twists You’d Never Have Expected

Wherewolves was a very unexpected, pleasant surprise. After having “met” Olga Montes through email correspondence, I was confident this novel would be a good read, but it surpassed my already high expectations.

A group of high school teenagers are taken into the woods by one of their teachers in an attempt to teach them survival skills and bonding. What they find in those woods tests their limits beyond anything they could have imagined.

This is a horror novel written in a very modern style. Because it is adapted from a screenplay, a good portion of it focuses more on the visual aspects of the story than on the characters, setting, or back story. This is not to say there isn’t character development—there is—but it goes about it in a style different than most novels I’ve read. Within the main cast of the story, John Vamvas and Olga Montes have created a group of high school students who could easily be envisioned as a part of any 2010++ teenage group. They are easy to identify with because they are rendered as realistic teens of the current generation.

Wherewolves grabs you right from the start and keeps you guessing until the end, when you realize the story has taken twists you’d never have expected.

A very enjoyable read, I give Wherewolves an emphatic 5 out of 5 stars.

Wherewolves Review: I loved it !!!!

First of all I want to say I really enjoyed this book. I have been working crazy all over the place shifts these past few weeks so my breaks and what little free time I have at home lately saw my eyes pointed and fixed upon my e-readers screen. This was a great YA read filled with teenaged angst, sexual tension, suspense, thrills, and chills a little for everybody. This book was adapted from a screen play and at times you can definitely tell that. I could almost see the stage directions in my minds eye (that could have been 4 years of loving drama class but who knows) I was engaged and invested from the first paragraph, this book has a lot of action throughout, peppered in with a touch of back story. I wasn’t all surprised about who the Wherewolves where when they appeared but I was interested in how they knew how to make the transformation happen. I won’t elaborate cause I don’t want to spoil it, for anyone who wants to pick up this read but the last few pages had me at a wtf just happened here moment, and like I said I loved it !!!! I could totally see this being a series and one that I would be happy to pick up and continue on with.

Kathy Kozak

5.0 out of 5 stars A ‘beastial’ adrenalin rush for the mind & body

Wherewolves is a powerful tale of menace and social commentary, with dark humor and clever plotting that keeps the reader knotted in its tight spiral of teen angst mixed with horror film imagery. On the surface it is a teen-in-peril tale, but the writing of the characters, the nature of the peril, and the narrative twists makes it surprising, exciting, and inventive. Characters jump off the page as vivid personifications of troubled teens caught between hormonal change, vice-like parental pressure, and the possibility of chemically induced monsters lurking in the proverbial woods. The best horror stories leave the reader with palpable frissons; this is always the ultimate aim of a good horror story: to strike uncertainty and fear in the reader; but many of these best examples also use the monster to reflect a subtext of social, cultural or political allegory. Wherewolves scores points on both these levels by appeasing the demands of a good horror story (with a bloody finale that is not for the squeamish) but also layering the `monster’ (as a metaphorical `beast within’) to bear the weight of social commentary on a wide range of themes: the deadly consequences of drug use; the dangers of unchecked military psychological & physiological training; the burdensome pressures of unrealistic parental expectation and lack of parental guidance. Wherewolves is a novel that rewards multiple readings, with elements of its plot twists embedded in descriptive details and foreshadowed through dialogue and narrational point of view. The story begins with a bang, in medias res, chaos in the woods, a prey and a victim. The young woman, Dilly is being chased through the woods by something feral, monstrous, dangerous, and animal-like. Like Sally from The Texas Chainsaw Massacre, she is rescued by a truck driver, Drew, who battles with her against the unseen force. Once nearing safety, the state troopers arrive on the scene to help Drew and Dilly, but mysteriously, Dilly has disappeared….only to return much later as a key character. Here we see one of the strengths of the writing: the play with appearance and reality, as characters and situations, including the ultimate nature of the beast, end up not being what they appear. Here Dilly appears as a victim, chased by the `monster,’ but with the gain of hindsight, is anything but a victim. The lightning paced opening ends with the force of a blunt object: Drew and the troopers arrive at a diner, where chaos seems to be brewing on the inside; the outside of the diner window covered by the inside shades and thickly splattered blood. A crowd of media and police gather outside, plotting the best way to enter the troubled diner. And then we are left to hang, as the story cuts back in time, methodically churning its way back to the beginning, to Dilly running, and eventually returning to the bloody mayhem inside the tragic diner, in classic A-B-A non-linear structure. At this point the novel spends the next chunk of story time developing the many young protagonists (you may want to write them down to keep track of whose who), and then the story shifts into nervy energy overload when it arrives at the ex-soldier teacher Tim O’Sullivan’s planned weekend survival retreat, designed to `toughen’ the kids up to be military `worthy’. Tim leaves the kids stranded to fend for themselves (as his Dad did to him years earlier) but instead of your usual survival agenda there is something mean, vicious and fascinatingly mysterious lurking in the woods, encircling the teens who themselves are becoming unstable. The reader learns of several twists concerning why Tim leaves and to where (without giving away much, he remains as a distanced observer of a scenario gone horribly wrong). What makes this a particularly inventive take on the werewolf lore is the nature of the beast. The writers manage to have their cake and eat it by offering us the violence and ferociousness of the traditional werewolf, but tinged with a realist edge that strives for social commentary with a lexicon of youthful argot that is a mix of street slang and made-up language, a la `Clockwork Orange’. Wherewolves is a novel to savor quickly the first time, and slowly the second.

PS: I started to read this as a Kindle version but then HAD to switch to the real thing, so bought a hard copy. With the old school nature of the story, and the many references and homages to 1970s & 1980s horror, it seemed like the right thing to do!