We are then later introduced to the characters of the class. It is clear early on that Doris and Jeffrey are teased quite a lot by their peers. They are viewed as the class geeks, making them a target for nasty comments and pranks. Their parents and teacher, Sergeant Tim O’Sullivan, make matters even worse for the two as they are pressured into taking part on a survival trip that neither want to go on. This would leave them being surrounded by a whole class of taunters, and who knows how far they’ll go!

Jeffrey and Doris are not the only two to stand out from the rest. Elie is also recognised as different due to his Arabic roots and does receive some racist comments. Some of the main characters take it upon themselves to ensure that Elie doesn’t make it to the trip. The dialogue, jokes, mockery and bullying are certainly areas that anyone who has experienced High School will empathise with, and the strength of the modern-day dialogue will connect young and new adult readers (I would recommend 15ys+).

Once on their camping trip for their survival weekend the story begins to twist. The plot is unpredictable and doesn’t work out quite the way as expected. Is it a paranormal, or is it a teenage horror? Or both? There is the suspicion of the super-human reaction, brought on by a new drug, that has been mentioned on the news not too far from where the group are camping that may explain what is going on. But then again, amid the hills and trees, who knows what lurks about in the darkness just waiting for it’s next kill! Or, could it be that Elie has been pushed too far and decided to retaliate?

As one by one the class students are being killed the tension escalates to a higher level. The reader will have to keep on reading to find out what is happening, and who or what is being so savage. With so many class students to remember I did get a little lost keeping track of some of them as they disperse and run from these terrible beasts. This would be easier to follow if watching the screenplay and visualising them on stage or on screen.

I also felt that when reading the dialogue between the students early on it was very much like reading a script, albeit with a little more description. As a book this made the reader wait a little too long before the action really began to start up again. However, as a screenplay and watching it on stage I would imagine the atmosphere to be electric. The book may benefit in parts to a little more description and atmosphere building to create a more fluid read and even more tension.

That said, the authors do get their message across very clearly. Whilst there may be dangers out there in the world, we are a danger to ourselves. The way in which we treat each other, hold grudges, taunt and attack is sometimes the biggest beast of them all. Wherewolves shows how a group of people, some of whom can’t stand each other, can pull together during times of trouble in order to survive. And a message to the younger reader in particular is to not mistreat others. You never know who the bigger beast will be eventually, and you may need to pull together to beat an even bigger one!

Wherewolves is a lively story throughout, whether it be from the taunting and jeering between the students, or the action and horror. As it draws to an end you can really see the brilliance as everything comes together, and even areas that haven’t been explained earlier are covered later on. It is well worth the read, and I would imagine it would be fantastic to watch!

A copy of Wherewolves was provided by the author, Olga Montes, in return for a fair and honest review.